Step Brothers Essay

When did comedies get so mean? "Step Brothers" has a premise that might have produced a good time at the movies, but when I left, I felt a little unclean. The plot: Will Ferrell and John C. Reilly play Brennan and Dale, two never-employed 40-ish sons who still live at home, eating melted cheese nachos and watching TV. When their parents (Mary Steenburgen and Richard Jenkins) get married, they become step-brothers and have to share the same room. This causes them to inflict agonizing pain upon each other and use language that would seem excessive in the men's room of a truck stop.


Is this funny? Anything can be funny. Let me provide an example. I am thinking of a particular anatomical act. It is described in explicit detail in two 2008 movies, "Step Brothers" and the forthcoming "Tropic Thunder." In "Step Brothers," it sounds dirty and disgusting. In "Tropic Thunder," described by Jack Black while he is tied to a tree and undergoing heroin withdrawal, it's funny.

Same act, similar descriptions. What's the difference? It involves the mechanism of comedy, I think. The Jack Black character is desperately motivated. He will offer to do anything to be released. In "Step Brothers," the language is simply showing off by talking dirty. It serves no comic function, and just sort of sits there in the air, making me cringe.

I know, I know, four-letter language is the currency of a movie like this, and many of the other films Judd Apatow produces. I would be lying if I said I was shocked. I would also be lying if I said I had no taste, or judgment of comic strategy. I'm sure I've seen movies with more extreme language than "Step Brothers," but here it seems to serve no purpose other than simply to exist. In its own tiny way, it lowers the civility of our civilization.

Now what about the violence? These two adult children do horrible things to each other. The movie must be particularly proud of one scene, because they show part of it in the trailer. Dale thinks he has killed Brennan by slamming him with the cymbal of his drum set. He rolls him in a rug and prepares to bury him in the lawn. Brennan comes to, bangs Dale with the shovel and starts to bury him alive.

I dunno. Maybe it sounds funny when you read it. Coming at the end of a series of similar cruelties, it was one living burial too many. There is also an attempted drowning. And ... never mind.

Mary Steenburgen and Richard Jenkins, two gifted actors, do what they can. They despair of their grown-up, unemployed brats. They lay down the law. They realize their sons are destroying their marriage. But they exist in another dimension than Brennan and Dale -- almost in another movie. Their reaction shots are almost always curious, because the only sane reaction would be sheer horror, followed by calls to the men with the butterfly nets.


Sometimes I think I am living in a nightmare. All about me, standards are collapsing, manners are evaporating, people show no respect for themselves. I am not a moralistic nut. I'm proud of the X-rated movie I once wrote. I like vulgarity if it's funny or serves a purpose. But what is going on here?

Back to the movie. I suppose it will be a success. Will Ferrell and John C. Reilly have proven how talented they are in far better movies. If it makes millions, will they want to wade into this genre again? I hope not. Ferrell actually co-wrote the movie with Adam McKay, the director. Maybe he will. But why not a comedy with more invention, with more motivation than hate at first sight?

There is one genuinely funny moment in the movie; the blind man who lives next door has a guide dog that misbehaves, snarls and bites people. Bad taste, yes. But ... I'm desperate here. Do you see why the dog doing it is funny, but Will Ferrell doing it to John C. Reilly is not?

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Step Brothers follows two forty-year-old men, Brennan Huff and Dale Doback. Both men, strangely, still live at home like children; they are unemployed, cared for by their respective parents, and playing with toys and video games the way a teenager would. Brennan's mother meets Dale's father, and sparks fly, leading them to get married, and making Brennan and Dale brothers by marriage. Neither is excited to move in with the other and have another man on their turf. They strut and posture and generally act like fools trying to assert their authority. Eventually, it escalates to full-blown warfare, and their parents lay down the law: find real jobs within a month, or you'll be kicked out of the house. Brennan's younger brother, the hugely successful and hugely mean Derek, makes fun of them, and when Dale is worked up to punch Derek in the face, Brennan is blown away by Dale's bravery (and Derek's wife, who hates her life, is sexually aroused that someone stood up to her horribly hubby). Brennan and Dale begin bonding, which causes their obnoxious behavior against one another to turn into obnoxious gleeful behavior. Dale's father, meanwhile, gets more and more fed up with every annoying thing Brennan and Dale can conjure. Their parents announce to them that jobs are a must, because they will need their own place to live... as they are selling the house, buying a boat, retiring, and sailing around the world. Brennan and Dale, both furious, decide to sabotage their parents from selling the house, and as an accidental side effect, they destroy Dale's father's boat. This causes Dale's father to snap, driving a wedge between him and his wife, causing them to eventually divorce. Brennan and Dale decide to grow up and get real jobs, but when they have a chance to reunite their parents, they must find a way to seal the deal and re-kindle their family once and for all.
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Best part of story, including ending: This movie is flat-out hilarious from beginning to end, filled to the brim with immature humor and adults behaving like ridiculous children. Ferrell and Reilly are fantastic.

Best scene in story: The finale, involving Brennan singing opera while Dale plays the drums, causes all of the characters to escape into fantasy worlds, and we see the hilarious insides of their heads.

Opinion about the main character: Brennan and Dale are wildly unlikable in terms of their behavior, but there's an innocence to their gleeful obnoxiousness that's hard to fully despise.

Script Analysis of Step Brothers

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Plot & Themes

Comedy, primarily    -   YesTime/era of movie:    -   2000's+ (present) Comedy or Parody about    -   adult acting like childHow much humor v. drama    -   Nearly all humor

Main Character

Identity:    -   Male Profession/status:    -   unemployed Age:    -   40's-50's Ethnicity/Nationality    -   White American Unusual characteristics:    -   Extremely cynical or arrogant


United States    -   Yes The US:    -   California

Writing Style

Accounts of torture and death?    -   generic/vague references to death/punishment Sex/nudity in movie?    -   Yes What kind of sex:    -   vague references only    -   kissing    -   touching of personal anatomy    -   licking    -   actual description of sex Any profanity?    -   A lot of foul language

Movies with storylines, themes & endings like Step Brothers

Bad Words starring Jason Bateman
Jackass Number Two starring Johnny Knoxville, Steve-O, Bam Margera
Like Father Like Son starring Dudley Moore, Kirk Cameron, Sean Astin
Romy and Michelle's High School Reunion starring Mira Sorvino, Lisa Kudrow, Jeanane Garofalo, Alan Cumming
Big Top Pee Wee starring Paul Reubens, Penelope Ann Miller, Kris Kristofferson, Valeria Golino, Benicio Del Toro, Susan Tyrrell
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